Writings

 

 

Smith, R. R., "[Study no. 50][Notational Becoming][Speculations]." In Proceedings of the TENOR 2016 Conference, Cambridge, UK, 2016


Smith, R. R., "An Atomic Approach to Animated Music Notation." In Proceedings of the TENOR 2015 Conference, Paris, France, 2015


Smith, R. R., "A Practical and Theoretical Framework for Understanding Contemporary Animated Scoring Practices." PhD Dissertation, Rensselaer Polytechnic Institute, Troy, NY, 2016


Lawson, S., Smith, R.R. “What Am I Looking At?: An Approach to Describing the Projected Image in Live Coding Performance.” In Proceedings of the Fourth International Conference on Live Coding. Madrid, Spain. 2019


Smith, R.R., Lawson, S. “Rouge Two: Reflections on the Creative and Technological Development of the Audiovisual Duo—The Rebel Scum.” Journal of Electronic Dance Music Culture10, no. 1 (2018): 63-82


Lawson, S., Smith, R.R. “The Dark Side.” In Proceedings of the Third International Conference on Live Coding. Morelia, México


Carey, B.E. Smith, R.R. (2017). Totalitarian Scoring, in Proceedings of the International Conference on Technologies for Music Notation and Representation, Tenor 2017, La Coruña, Spain


Lawson, S. Smith, R.R. “Owego System Trade Routes.” In Proceedings of the Second International Conference on Live Coding. ed. Ogborn, David and Wakefield, Graham and Baade, Christina and Sicchio, Kate. McMaster University, Hamilton, Canada, 2016


Lawson, S. Smith, R.R., Appio, F. “Closing the Circuit: Live Coding the Modular Synth.” In Proceedings of the Second International Conference on Live Coding. ed. Ogborn, David and Wakefield, Graham and Baade, Christina and Sicchio, Kate. McMaster University, Hamilton, Canada, 2016


Lawson, S. Smith, R.R., Appio, F. “Owego System Trade Routes: Round Trip.” In Proceedings of INTER-FACE: International Conference on Live Interfaces, ed. Magnusson, Thor and Kiefer, Chris and Duffy, Sam. Emute Lab University of Sussex, 2016, 285-286




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